
A MriyaRun therapeutic article on authorship, TA, the Karpman triangle, Pamela Levin, zones of influence, and Dmytro Telushko's tools.
This material is for informational and educational purposes only and is not medical, psychological, or psychotherapeutic advice. If you are experiencing an acute psychological condition or need professional support, please contact a doctor, psychologist, psychotherapist, or crisis service.

From victim position to authorship: MriyaRun illustration
We do not choose our starting point: family, country, body, first rules of love, or first survival strategies. Yet a person gradually develops the ability to respond to life: first through the body, then through emotion, then through words, and eventually through small choices.
This topic needs a gentle frame. It should not become a hard message of blame. Life can be traumatic and unfair. Still, even when we do not control the world, there may be a small territory of the next response. This is where the Adult grows.
Three zones of attention
In difficult situations, the mind often lives in the first zone: other people’s decisions, the past, someone else’s character, and system rules. The second zone is partial influence: asking, clarifying, negotiating, setting a boundary. The third zone is the smallest and strongest: my next step now.

Three zones of attention: what cannot be changed, what can be influenced, and the next step
TA: who is speaking inside
Dmytro's TA diagnostic materials make the theme more precise: the Adult is strengthened not by a slogan about responsibility, but through work with ego states, contaminations, exclusions, passivity, script feelings, hungers, and the stroke filter. We ask who is negotiating with reality inside right now: a frightened Child, a strict Parent, an exhausted Rescuer, or an Adult who is still sleepy but has already opened the laptop of common sense.
Transactional analysis offers a simple language: Parent, Adult, and Child. The Child fears, wants, hides, or protests. The Parent criticizes, demands, rescues, or protects. The Adult checks reality: what happened, what options exist, and what step the nervous system can tolerate.
Karpman and the script role of Victim

Dmytro's TA material: life positions, boundaries, and adaptations as a map toward I am OK — You are OK
The life-position map shows why authorship is connected with boundaries. Healthy boundaries support I am OK — You are OK cooperation. Rigid boundaries protect but may reduce contact. Diffuse boundaries can create closeness at the price of losing oneself. The Adult checks where my boundary is, where the other person's boundary is, and where the old drama is trying to run the meeting again.
In the Karpman drama triangle, the familiar roles are Victim, Rescuer, and Persecutor. The Victim says, “I can do nothing.” The Rescuer says, “I will solve it for you.” The Persecutor says, “This is your fault.” In real life, people can move through all three roles very quickly.

The Karpman triangle and the Adult exit: vulnerability, support, assertiveness
The Adult exit is not cold detachment. Victim can become vulnerability and a clear request. Rescuer can become support without taking over the steering wheel. Persecutor can become assertiveness with a boundary, a request, and responsibility for tone.
Pamela Levin and development in cycles
In the more accurate formula, the phases are not equal. The standard cycle is shown as uneven: Being, Doing, Thinking, Identity, Structure, Regeneration, and Recycling. Adult life is then read through roughly 19-year recycles: 19–38, 38–57, 57–76. Age points up to 70 help identify which developmental theme may be active again.
The key Being activations are 13, 26, 39, 52, and 65. This is not a diagnosis and not a horoscope wearing a TA jacket. It is a map for questions: do I have the right to be, want, act, think, separate, become skilled, and renew myself?
Pamela Levin’s cycles of development describe recurring developmental tasks: being, doing, thinking, identity, skill, and renewal. This removes the grandiosity from responsibility. The Adult does not appear in one inspirational evening. It matures through repeated choices.

Pamela Levin actual archive formula: uneven 0–19 phases, adult recycles to age 70, and age points for self-reflection
Examples
- Old script: “They made me take this project.” Adult response: “I agreed because I feared conflict. Now I can renegotiate the terms.”
- Old script: “They do not value me.” Adult response: “I want clarity about payment, role, and expectations.”
- Old script: “I have been thinking about starting for a year.” Adult response: “I can do one action in 30 seconds.”
In relationships, the old role may sound like: “You should have guessed.” There is pain in this sentence, but little direction. The Adult position makes the need visible: “I need you to tell me when you are late. I start to worry and make up stories.”
At work, the script often hides behind heroism. A person takes too much, stays silent, endures, then burns out and sends an inner invoice to everyone who failed to rescue them. The Adult adds resource accounting: what I take, what I promise, where the boundary is, and when I tell the truth about workload.
MriyaRun tools

Dmytro Telushko, author of MriyaRun: tools as a form for an Adult dialogue with self

CBT SHIFT MriyaRun: pages for checking thoughts, facts, interpretations, and next actions
CBT SHIFT belongs here because its pages show the Adult mechanism: a thought is separated from a fact, an interpretation is checked, and the next action becomes less impulsive.

Fairy-tale therapy workbook MriyaRun: seeing a script as a story, a role, and a new choice

MriyaRun MAC cards: real card spreads for working with script images, boundaries, and the next response
A journal helps separate fact from role. A MAC card gives an image of the script. CBT SHIFT helps examine an automatic thought. EQ Emotion Journal helps distinguish anger, fear, shame, and fatigue. A boundaries journal supports the Adult response where an old role used to take over.
Why helplessness is exhausting
The first zone consumes energy because the mind keeps trying to influence what cannot be directly influenced. It argues with the past, proves a point in an imaginary court, replays conversations, and waits for someone to finally understand everything without being asked.
The Adult does not forbid grief or anger. It adds a second question: after I acknowledge the pain, where is my available action? Sometimes the answer is tiny: one sentence, one boundary, one pause, one request, one file sent before perfection eats another month.
A 30-second practice
- Name the situation without turning it into a 12-episode series.
- Separate it into three zones.
- Write: “I choose to respond this way...”
- Take an action that takes less than a minute.
- Afterward, ask what changed in your sense of self.

MriyaRun Boundaries Journal: working with boundaries, roles, and the Adult response
For practice, use MriyaRun journals and workbooks, CBT SHIFT, EQ Emotion Journal, The Boundaries Journal, MriyaRun MAC cards, and online metaphorical cards.
Sources
- MriyaRun — self-reflection tools for dreams, emotions and action
- Visualization
- From Victim Position to Authorship: Strengthening the Adult
